May 17, 2012
Pye Corner Audio

I am really feeling the Pye Corner Audio Black Mill Tapes Vol 1-3. A little research reveals a slight connection to the Advisory Circle/Ghost Box.. but I could find little except for a mention that the music was composed by the “Head Technician”.

The Mill Tapes are moody, suffused with a dark, and authentically retro synth vibe that grooves in the Steve Moore/John Carpenter zone.  It really does sound like you’ve stumbled upon some lost tapes composed in a dank basement during a autumn storm. A few of the electronic rhythm number tracks recall early Skinny Puppy.. or perhaps the Severed Heads. Good!

April 7, 2012
Alphabets

I made a new mix, kinda mellow kinda spacey.

Alphabet of Desire by Jason Perez on Mixcloud

Whisper Fate - Kuedo
Arrow - Jacques Greene
Working - Nina Kraviz
Phaeton - Vaalhaala
Replica - Oneohtrix Point Never
The Kiss - Harold Budd
Carrion - Orcas Silent From Above - Mirroring
Hessra - Roly Porter
Presence - Synkro
You And I - Pangaea
Onestate - Mlz
Rain & Shame - Demdike Stare
Snakes Cave - Horizontal Ground
Falling The Same Way - Sandwell District
Pagoda - Transportation Aad
Topaz - Parks
You can also download it here

March 20, 2012
Ben Vida Root Blog Mix

Ben Vida Root Blog Mix

It’s been a good long time since I’ve run across Ben Vida’s name. I was a huge fan of Town and Country, and Vida’s solo project Bird Show. So I was pleasantly surprised to spot this fantastic Root Blog mix, and notice that he has a new LP of modular synth sounds coming out on Pan. Pan, also, have been killing it with amazing recent releases from SND and NHK. More on that later maybe.

But this mix is totally lovely and bleepy, disorienting and eclectic.

1. Mark Fell – Acids In The Stochastic Energy Pause With Thin Razor, Attack Noise Hat, Linn
2. Kevin Drumm – Stochastic Sophistication
3. Aphex Twin – [symbol]
4. Marcus Schmickler – Cursive Phrasing
5. EVOL – Rave Slime
6. Iannis Xenakis – Pour la Paix
7. Keith Fullerton Whitman – Generator 7b
8. Jon Appleton – In Deserto
9. Martin Neukom – 18.4
10. Robert Ashley – ‘Max’ Anecdote With Chorale ‘No, Never, No’
11. Florian Hecker – Octave Chronics
12. Thomas Lehn – feldstarke 8
13. David Sylvian  – She Is Not
14. David Behrman – On the Other Ocean
15. Mouse On Mars – Paradical
16. NiteCrawlrz – NoN-ReleasE

March 7, 2012
Fantastic mix by Blackest Ever Black


She Died With Her Eyes Open
A Blackest Ever Black mixtape

This mixtape was put together over the course of three or four nights in January and February, 2011. Inspired by the radiant menace of Keldgate Road and Skidby Lane in Cottingham, East Yorkshire, and the writings of Derek Raymond and David Peace. Dedicated to all murderers and murderees.

“I have taken a terrible beating from the truth and feel tamed, wise and desperate, as if I had taken a short route to wisdom through a mirror, and cut myself badly on it as I passed through.”


Go to Blackest Ever Black

November 22, 2011
True Widow

Of all the new bands I’ve encountered in the past year, there is one that I show off to anyone who will listen, that band is True Widow. True Widow are one of the rare bands that can take the three-piece rock band configuration in interesting directions, drawing tangents referencing their influences, yet still moving in their own directions.

Their sounds is luminous darkness, slow, heavy and dense without melodrama or plodding theatrics. Instead, they rely on subtly catchy guitar hooks, and memorable vocal harmonies to draw you into their disparing atmospheres. But in a good way. 

Image perhaps a heavier, more haunted Low, orchestrated by Earth, but only as vague reference points. The sound of True Widow is absolutely breathtaking, please. Take a listen.

2011 saw the release of their 2nd album, As High As The Highest Heavens And From The Center To The Circumference Of The Earth, an excellent reprisal and expansion of their debut album from the previous year. 

Skull Eyes from their latest album As High As The Highest Heavens And From The Center To The Circumference Of The Earth.

October 27, 2011
Christina Vantzou

I love Stars of the Lid, and everything related. The LPs, Brian McBride’s solo records, the collaboration with Labradford (Aix Em Klemm), the recently released collaboration with Dustin O’Halloran (A Winged Victory for the Sullen) are all essential. But the Dead Texan record really resonated with me. So I was excited to learn that Christina Vantzou, Adam Wiltzie’s collaborator on the Dead Texan would be releasing a solo album of her own on Kranky. 

And it’s lovely. Beautifully produced, brilliantly arranged, elegiac and moving. 

Apparently, Christina is an exceptionally skilled illustrator as well!

Buy it on MP3: Christina Vantzou - No. 1 (MP3)

Buy it on CD: Christina Vantzou - No. 1 (CD)

January 22, 2011
Seefeel - Dead Guitars

Returning from a 14 year hiatus, Seefeel restate their theories of
abused sonic textures with the appropriately titled single, “Dead
Guitars”. Reformed in 2008 by original members Mark Clifford and Sarah
Peacock are joined by new recruits Shigeru Ishihara (aka DJ Scotch
Egg) and former Boredoms drummer Lida Kazuhisa. The output of this new
lineup is almost exactly what you might expect, a sound simultaneously
familiar and completely alien.

Opening with a lurching, loping beat, Dead Guitars sounds like a
desperate struggle to walk. A skeletal newborn emerging from some
primordial ooze. This is the sound of the new Seefeel, as textural and
hypnotic as you remember, but more spiky, brittle, simultaneously
challenging and lush, a work of contrasts. A warm, resonant dub bass
slides in alongside Sarah Peacock’s signature whispy vocals completely
the unsettling and exciting effect of the new Seefeel sound.”

Buy Seefeel - Dead Guitars on MP3

September 21, 2009
Root Strata

Root Strata is a record label curated by Tarentel’s Jefre Cantu-Ledesma. Strata’s catalogue is diverse, refreshingly adventurous and experimental. Distortions, atmosphere, textures.

I had the opportunity to catch the first night of Root Strata’s On Land Festival at Cafe Du Nord in San Francisco. On Land was a wonderful example of how much demand there actually is in a city like San Francisco for unusual, and absolutely “non-pop” music. There was an excellent turn-out, extraordinary enthusiasm for each act, and the musicians absolutely killed it. Kudos.

September 18, 2009
HIT IT

HIT IT

September 18, 2009
Mr.Eno

Mr.Eno

September 18, 2009
Powered by the ‘stache.

Powered by the ‘stache.

September 18, 2009
Lover synthesist.

Lover synthesist.

September 18, 2009
The Only Way Out is Through

Left to my own devices, I can become highly critical of myself. I can pick myself apart and become convinced that I do not and my not ever excel at any of things I would like to. It’s a very unpleasant feeling, and occasionally I wonder where it comes from, and perhaps more importantly, what it does. I believe in creative endeavors it keeps me in a state of paralysis.

The scenario is very familiar to me, and obvious the more I consider it. I write a sentence, play some chords, work on anything with a degree of artistic expression, and I am liable to experience almost immediate disappointment in myself. Leaving something and returning later is even worse. I review the work in my head, over and over again, and become well convinced that it need not exist and should be deleted, erased, purged as soon as possible. So much work has met its end this way, barely formed, and never fully explored. I become convinced that its not worthwhile, not up to par, and discard it, start fresh.

But I know it doesn’t work that way..

“..everything is gestation and then bringing forth. To let each impression and each germ of feeling come to completion wholly in itself, in the dark, in the inexpressible, the unconscious, beyond the reach of one’s own intelligence, and await with deep humility and patience the birth-hour of a new clarity: that alone is living the artist’s life: in understanding as in creating. There is no measuring with time, no year matters, and ten years are nothing. Being an artist means, not reckoning and counting, but ripening like the tree which does not force its sap and stands confidence in the storms of spring without fear that after them may come no summer. ” Rilke

I know, but somehow I forget. What I need to forget is the idea of completion, of making something for any end other than growth. I need to just make experiments and let them remain seeds. Stop thinking about perfection and mastery, these things will come with time and a love for creating.

But at this moment, I can hate very easily. It happens often, I’ll let myself get distracted by other tasks so as to avoid actually starting the work. Because its messy business, a truly difficult thing, scratching out an ideal and with an aim to creaate something beautiful or meaningful. That is all I really want, to create beautiful things. It’s a good goal, but a challenging idea.

I am always trying to jump past the germination into the blossoming. I am always five steps ahead of where I am at, thinking about making a piece or a work, and then comparing it to things I admire. How could it compare in such an embryonic stage and not have flaws? And how could I be anywhere near anything I admire when I know full well the dedication the creators put into developing themselves and their art? They probably haven’t avoided everything I have.

Expectation develops so easily and I find it easier still to criticize myself and my abilities. To decide absolutely, I should stop, give in, give up. And it’s times like these that my brain becomes an utter mess, devestated by questions of what can you do well, what do you love, what will you do? I can’t face it, and I distract myself from pushing through this wall, I focus on ways to sidestep it, divert it. But no, I need to find a way through.

September 18, 2009
Bronowski

In his book The Origins of Knowledge and Imagination Jacob Bronowski has written:

”I believe that we need to review the whole of our natural philosophy in the light of scientific knowledge that has arisen in the last fifty years. It really is pointless to go on talking about what the world is like (as much as philosophy does) when the modes of perception of the world which are accessbile to us have so changed in character. And we become more and more aware that what we think about the world is not what the world is but what the human animal see of the world.”

“Neither art or science is dull: No imaginative activity is dull to those who are willing to reimagine it for themselves.”

“No creative work, in art or science, truly exists for us unless we ourselves help to recreate it.”

“Reasoning is constructed with movable images just as certainly as poetry is.”

“Imagination is the manipulation inside the mind of absent things, by using in their place images or words or other symbols.”

“No work of art has been created with such finality that you need contribute nothing to it. The internal relations that make a work beautiful have to be discovered and in a way come from you.”

September 18, 2009
Sentences on Conceptual Art

Sentences on Conceptual Art by Sol Lewitt

1. Conceptual artists are mystics rather than rationalists. They leap to conclusions that logic cannot reach.
2. Rational judgements repeat rational judgements.
3. Irrational judgements lead to new experience.
4. Formal art is essentially rational.
5. Irrational thoughts should be followed absolutely and logically.
6. If the artist changes his mind midway through the execution of the piece he compromises the result and repeats past results.
7. The artist ’s will is secondary to the process he initiates from idea to completion. His willfulness may only be ego.
8. When words such as painting and sculpture are used, they connote a whole tradition and imply a consequent acceptance of this tradition, thus placing limitations on the artist who would be reluctant to make art that goes beyond the limitations.
9. The concept and idea are different. The former implies a general direction while the latter is the component. Ideas implement the concept.
10. Ideas can be works of art; they are in a chain of development that may eventually find some form. All ideas need not be made physical.